Soloist:
Gibboni
violin
(Italy)
Conductor:
Sagnuineti
(Germany / Italy)
Orchestra:
Essener Philharmoniker Germany
Programme
Nikolai Rimsky-Korsakov
Capriccio Espagnol
Alexey Shor
Violin Concerto No. 7 – Giuseppe Gibboni, violin
— Intermission —
Nikolai Rimsky-Korsakov
Scheherazade
Giuseppe Gibboni
Violin
An extraordinary talent, Gibboni manages to astonish with each of his performances. Solid technique, impeccable intonation even on an instrument as unfamiliar to him as the Cannone, which he took up for the first time in these days, the young artist does not 'only' have the qualities of a great virtuoso: he also has a first-rate interpretative intelligence, a full cantabile and is capable of multiple dynamic nuances. La Repubblica, Roberto Iovino
With flawless technique and compelling expressiveness, Giuseppe Gibboni won over the jury and audience of the Paganini Violin Competition in Genoa in October 2021. The violinist, born in 2001, was the first Italian in 24 years to win the overall prize, as well as the audience choice prize and special prize for the best interpretations of Niccolò Paganini's Capriccios and Violin Concerto. Subsequently, the now 22-year-old musician has begun an extensive concert career. He made his debut with Tchaikovsky's Violin Concerto with the Orchestra dell'Accademia Nazionale di Santa Cecilia under the direction of Lorenzo Viotti. Shortly thereafter, he played with guitarist Carlotta Dalia at the invitation of Italian President Sergio Mattarella at the Quirinal Palace in Rome; the concert was broadcast live on Italian radio.
The highlights of the season 2022/23 include his US debut with the Detroit Symphony Orchestra under Jader Bignamini as well as concerts with the Orchestra della Toscana under Diego Ceretta and the Orchestra Teatro San Carlo in Naples under Dan Ettinger. Giuseppe Gibboni performed the Violin Concerto by Wynton Marsalis together with the Orchestra Sinfonica Nazionale della RAI under John Axelrod and Vivaldi’s *Four Seasons* with the Sinfonietta Riga in Latvia. He regularly plays recitals all over Italy, for example at Amici della Musica in Florence, Serate Musicali in Milan, Teatro Petruzzelli in Bari, as well as the Stresa Festival, among others.
In autumn 2023, Giuseppe Gibboni gave his debut with the Maggio Musicale Fiorentino Orchestra under Zubin Mehta, performing Mendelssohn’s Violin Concerto, as well as with the Orchestra Sinfonica di Milano under Joel Sandelson, performing Tchaikovsky’s Violin Concerto. During the current season, following a tour throughout Brazil and among numerous engagements in Italy, he can also be heard as part of the series “Debüt im Nikolaisaal” in Potsdam as well as at Heidelberger Frühling.
The son of a family of musicians, Giuseppe Gibboni was first taught by his father Daniele Gibboni before attending the Salerno Conservatory “Martucci.” At the age of 14, he was admitted to the Stauffer Academy in Cremona, where he received lessons from Salvatore Accardo. He also successfully graduated with a Diploma of Honor from the Accademia Chigiana in Siena. After a five-year advanced course at the Accademia Perosi in Biella with Pavel Berman, he now studies at the Mozarteum University in Salzburg as a student of Pierre Amoyal.
Giuseppe Gibboni had already attracted attention with a series of competition successes. He became known to a large television audience in 2016 through his success in the *Prodigi – La musica è vita* competition broadcast by RAI 1 in collaboration with UNICEF. In the same year, he won the first prize and a special prize at the Andrea Postacchini Violin Competition, followed by successes at the Leonid Kogan International Competition in Brussels (2017), the George Enescu International Competition in Bucharest (2018), and the Valsesia Musica Competition (2020).
Giuseppe Gibboni recorded his debut CD at the age of 15 for the Warner Classics label. Since 2017, he has been sponsored by Classically Connected, Inc. (formerly the Si-Yo foundation), who provided his ‘F. Tourte bow 1800 Ca.’ He plays the violin ‘Auer, Benvenuti’ by Antonio Stradivari, Cremona 1699, kindly lent to him by a German Foundation. As the winner of the Paganini Competition, he also had the opportunity to perform the "Cannone," Niccolò Paganini's favorite instrument built by Guarneri del Gesù in 1743.
Andrea Sagnuineti
German-Italian conductor Andrea Sanguineti is Music Director of the Essen Philharmonic Orchestra and the Aalto Theatre in Essen, where he is currently attracting great attention with productions such as Parsifal, Tosca, Aida and La forza del destino.
Andrea Sanguineti is in great demand as an opera conductor at major European opera houses, including Zurich Opera (Verdi Gala, Lucia di Lammermoor, Rigoletto), Deutsche Oper Berlin (Don Giovanni, Manon Lescaut), the Cologne Opera (Lucia di Lammermoor, Merry Widow), the Leipzig Opera (Lucia di Lammermoor, Tosca, Cenerentola), the Opéra National du Rhin Strasbourg (Stiffelio, Norma), the Opéra de Nice (Traviata) and the Grand Théatre de Genève (Maria Stuarda). He also made his debut at the Sydney Opera in 2023 with Donizetti’s Roberto Devereux and at the Savonlinna Festival in 2024 with Mozart’s Don Giovanni.
In addition to his success in the opera world, Andrea Sanguineti is characterised by a series of critically acclaimed performances on the podium of the Essen Philharmonic Orchestra with masterpieces by Mahler, Bruckner, Strauss and Tchaikovsky, among others. He also conducts major orchestras such as the Gürzenich Orchestra Cologne, the Vienna Radio Symphony Orchestra, the Radio Filharmonisch Orkest Amsterdam and the Orchestra Națională Radio Bucharest.
Andrea Sanguineti regularly collaborates with renowned artists such as Frank Peter Zimmermann, Anna Vinnitskaya, Maria Agresta, Alexey Vinogradov, Jonathan Tetelman, Benjamin Bernheim, Lisette Oropesa, Saioa Hernández, Kathrin Dehaes and Rolando Villazón.
Trained in Vienna and Milan, the conductor began his career first as Maestro Preparatore and later as Kapellmeister at the Hanover State Opera. In 2011, he was appointed First Kapellmeister at the Mainfranken Theatre in Würzburg and shortly afterwards Music Director of the Gerhart-Hauptmann Theatre in Görlitz-Zittau, where he worked until 2018.