Soloist:
Vengerov
violin
(Monaco)
Conductor:
Villaume
(France)
Orchestra:
Symphoniker Hamburg Germany
Programme
Sergei Prokofiev
Classical Symphony
Alexey Shor
Violin Concerto No. 6 – Carpe Diem
— Intermission —
Mikhail Glinka
Ruslan and Lyudmila
Pyotr Ilyich Tchaikovsky
Violin Concerto
Maxim Vengerov
Violin
Universally hailed as one of the world’s finest musicians, and often referred to as the greatest living string player in the world today, Grammy award winner Maxim Vengerov also enjoys international acclaim as a conductor and is one of the most in-demand soloists.
Born in 1974, he began his career as a solo violinist at the age of five, won the Wieniawski and Carl Flesch international competitions at ages 10 and 15 respectively, studied with Galina Tourchaninova and Zakhar Bron, made his first recording at the age of 10, and went on to record extensively for high-profile labels including Melodia, Teldec and EMI, earning among others, Grammy and Gramophone artist of the year awards.
In 2007 he followed in the footsteps of his mentor, the late Mstislav Rostropovich, and turned his attention to conducting and in 2010 was appointed the first chief conductor of the Gstaad Festival Orchestra. June 2014 saw Mr Vengerov graduate with a Diploma of Excellence from the Moscow Institute of Ippolitov-Ivanov with professor Yuri Simonov and he has since finished a further 2-year program of opera conducting.
Highlights of recent seasons saw Mr Vengerov opening the season of the Orchestra Filarmonica della Scala with Maestro Chailly, a Residence with Monte Carlo Philharmonic and the Philharmonie in Paris as well as a world wide recital tours. Highlights of the 22/23 season saw him in an extensive US and Canadian recital tour including Berkeley, Kansas City, New York and Toronto, and an 11 concerts tour in the UK. Other orchestral performances as a soloist include Montreal, Vienna, London, Paris and Taiwan and chamber music concerts with Evgeny Kissin and Stephen Isserliss at Carngie Hall, and in Switzerland with Simon Trpcesky and Stephen Isserliss. He also joined Aspen and Bravo Vale Festival in the States this summer in Recital, Masterclasses and Concerto performance with Fabio Luisi and the Dallas SO and celebrated 40 years on stage at the Royal Albert Hall in a big gala concert in April 2023. In 2023/24 he will open the Shanghai International Festival with Christoph Eschenbach, will embarque on another world wine Recital tour including America, South America, Europe, Asia and Australia and will perform orchestra concerts in amongst others in Vienna, Paris and Milan.
In 2020 Maxim Vengerov became Classic FM’s first solo Artist in Residence and released a new recording of Tchaikovsky's Violin Concerto with conductor Myung-Whun Chung and the Orchestre Philharmonique de Radio France, coupled with works by Saint-Säens and Ravel as well as a live recital from Carnegie Hall.
As one of Mr Vengerov’s greatest passions is the teaching and encouraging of young talent, he has held various teaching positions around the world. He currently holds the Stephan and Viktoria Schmidheiny Stiftungsprofessor at the Mozarteum University Salzburg and since September 2016 he is also the Polonsky Visiting Professor of Violin at the Royal College of Music in London. In 2018 Maxim Vengerov became the Goodwill Ambassador of the Musica Mundi School - a unique institution, which supports young talents. With the vision of democratising the access of music learning, he launched his own online platform in January 2021:www.maximvengerov.com and created an impact across 170 countries and over 190 million reach. His first year programs include partnerships with musical institutions from around the world, the Lottery Ticket program, guest artist series inaugurated with Brett Yang from TwoSet Violin, as well as his new global community group who’s initiatives include the world leading Mentoring program, rural musical communities initiative and the Musical Pen Pals program for children.
Mr Vengerov has been profiled in a series of documentaries, including Playing by Heart, which was recorded by Channel Four Television and screened at the Cannes Television Festival in 1999, and Living the Dream, which was released worldwide and received the Gramophone Award for Best Documentary in 2008.
Mr Vengerov has received prestigious fellowships and honours from a number of institutions. In 2012 he was awarded an Honorary Visiting Fellowship at Trinity College Oxford and in 2019 he received an Honorary Doctorate from the Royal College of Music London and in 2019 he received an Honorary Doctorate from the Royal College of Music London and the Order of Cultural Merit from the Palace Monte Carlo.
Mr Vengerov has also received numerous awards including Grammy Award for Best Instrumental Soloist Performance (with Orchestra) (2003), two Gramophone awards (1994, 1995), a Classical Brit Award (2004), five Edison Classical Music Awards (1995, 1996, 1998, 2003, 2004), two ECHO awards (1997, 2003) and a World Economic Forum Crystal award (2007) - honouring artists who have used their art to improve the state of the world.
He plays the ex-Kreutzer Stradivari (1727).
Emmanuel Villaume
A frequent collaborator with major opera houses on both continents, Maestro Villaume has performed with the Metropolitan Opera for Tosca, Les Pêcheurs de Perles, Thaïs, Roméo et Juliette, Madama Butterfly, Samson et Dalila, Carmen et Cendrillon; Lyric Opera of Chicago for Faust, Les Contes d’Hoffmann, Roméo et Juliette, La Bohème, Lucia di Lammermoor, Manon, The Merry Widow and Samson et Dalila; and the Washington National Opera for La Rodine, Norma, Le Cid, Elisir and Les Contes d’Hoffmann. He has conducted Madama Butterfly and Werther with the San Francisco Opera; Les Contes d’Hoffmann, La Rondine, Carmen and La Grande-Duchesse de Gérolstein with the Los Angeles Opera; La Rondine and Faust with the Opera Theatre of Saint Louis; and The Golden Cockerel, La Fanciulla del West, Les Pêcheurs de Perles, Carmen and The Grand Duchess of Gerolstein with Santa Fe Opera. At the Dallas Opera, Mo. Villaume has conducted highly acclaimed performances of Das Rheingold, Elektra, The Flying Dutchman, Golden Cockerel, Don Giovanni, The Magic Flute, Der Ring des Polykrates, Samson et Dalila, Eugene Onegin, Moby Dick, Don Carlo, Norma, Faust, Le Nozze di Figaro, Carmen, and Iolanta as well as several world premieres. His participation in music festivals is equally exemplary, highlighted by numerous performances, including world premieres with the prestigious Spoleto Festival USA, where he served as Artistic Director from 2001 to 2010.
On the international stage, Maestro Villaume has appeared with the Royal Opera House, Covent Garden for Tosca, Manon, Les Contes d’Hoffmann, La Rondine, la Boheme and Carmen, Barcelona’s Gran Teatre del Liceu for Manon Lescaut; Montreal Opera for La Vie Parisienne; Tokyo Bunka Kaikan for Der Rosenkavalier; Teatro Colón for Pelléas et Mélisande; and Opéra national de Paris for Rigoletto. Other performances in France include: Théâtre du Capitole Toulouse for Mignon; Opéra de Nice for Faust; Opéra national de Bordeaux for Dialogues des Carmélites, and Opéra Marseilles for Pelléas et Mélisande, Samson et Dalila, Carmen, and Norma. Maestro Villaume has conducted for several opera companies in Germany, including the Bayerische Staatsoper for Les Contes d’Hoffmann, Carmen, l’Elisir d’amore and Madama Butterfly; Deutsche Oper Berlin for Tosca and Don Quichotte; Staatsoper Hamburg for Der Fliegende Holländer; Bonn Opera for La Fanciulla del West; and Cologne Opera for La Bohème and Werther. Other lauded performances in Europe took place at Teatro La Fenice for Thaïs, Il Crociato, and L’Africaine; Teatro Regio di Torino for Ariane et Barbe-bleue and Les Contes d’Hoffmann; Martina Franca Opera for La Grande-Duchesse de Gérolstein; Teatro Real in Madrid for Les Contes d’Hoffmann and Werther; Opéra de Monte-Carlo for La Périchole and Werther; and the Klangbogen Festival in Vienna for Don Quichotte and Menotti’s Goya with Plácido Domingo.
Emmanuel Villaume has led a distinguished career leading renowned symphonies worldwide. He made an outstanding contribution as Artistic Director and Chief Conductor of the National Slovenian Philharmonic, as well as with the Slovak Philharmonic Orchestra where he served as Chief Conductor from 2009 – 2016. In North America, he has conducted the Quebec Symphony, the Montreal Symphony in both Montreal and at Carnegie Hall, the Chicago Symphony, the Los Angeles Philharmonic, and the Juilliard Orchestra. He also led the San Francisco Symphony, the Houston Symphony, and the Boston Symphony at both Symphony Hall and the Tanglewood Festival. His performances with music organizations include: the Royal Philharmonic, Orchestre de Paris, Orchestre Philharmonique de Radio France, Beethovenhalle Orchestra of Bonn, the Münchner Rundfunkorchester, Duisburger Philharmoniker, Danish National Symphony Orchestra, Norwegian Radio Orchestra, Kungliga Filharmonikerna, and the Israel Philharmonic. In Australia, Mo. Villaume has conducted concerts with the Sydney, Melbourne and Brisbane orchestras, and in Asia he has appeared with the NHK Symphony Orchestra in Tokyo, the Tokyo Metropolitan Symphony Orchestra, and the China National Opera Orchestra for the 2008 Olympic Games.
Emmanuel Villaume’s numerous recordings for Deutsche Gramophone, Decca and Warner Classics have regularly won the most prestigious awards.
Born in Strasbourg in 1964, Emmanuel Villaume studied music at the Conservatoire de Strasbourg. He continued his education at Khâgne and the Sorbonne in Paris, where he received degrees in literature, philosophy, and musicology. He holds an honorary doctorate from the University of Indianapolis.
Maestro Villaume makes his home in Paris and Dallas.